{"id":5373,"date":"2026-10-06T15:35:37","date_gmt":"2026-10-06T15:35:37","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=5373"},"modified":"2026-10-06T15:36:55","modified_gmt":"2026-10-06T15:36:55","slug":"otto-mueller","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/otto-mueller\/","title":{"rendered":"Otto Mueller"},"content":{"rendered":"<div data-spectra-id=\"spectra-muwu9utj-3k6lmd\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-muwu9ux6-0pdgju\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=119002574&amp;anummer=22\" target=\"_self\" aria-label=\"mehr infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">mehr infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div data-spectra-id=\"spectra-muwuat1b-pwek4y\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-muwuat4e-hdzmxm\" href=\"https:\/\/munich-art-research.de\/podcast-agnes-thum-mit-tanja-beuthien-ueber-woher-kommt-die-kunst\/\" target=\"_self\" aria-label=\"dieser fall im podcast\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">dieser fall im podcast<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hockende (Kniender weiblicher Akt)<\/strong>. Um 1912.<br>Monotypie, mit dem Pinsel \u00fcbergangen (Unikat).&nbsp;<br>Pirsig-Marshall \/ von L\u00fcttichau P 1912\/25 (952). Rechts unten signiert. Verso eigenh\u00e4ndig mit einer Widmung &#8222;Otto Mueller f\u00fcr Frau Lasker Sch\u00fcler&#8220;. Auf weichem B\u00fctten. 18 x 20 cm (7 x 7,8 in). Papier. 36 x 45,5 cm (14,1 x 17,9 in).<br>Verso mit einer verworfenen Kohlezeichnung &#8222;Weiblicher Akt&#8220;.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken Herrn Dr. Mathias Listl, Kunsthalle Mannheim, f\u00fcr die freundliche wissenschaftliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Wohl: Der Neue Kunstsalon (Max Dietzel und Paul Ferdinand Schmidt), M\u00fcnchen, Benefizauktion f\u00fcr Else Lasker-Sch\u00fcler, 17.2.1913 (verso mit der Widmung an Else Lasker-Sch\u00fcler).<br>Paul Ferdinand Schmidt, M\u00fcnchen (1913).<br>Kunsthalle Mannheim (Am 13.7.1913 vom Vorgenannten erworben, verso mit dem Stempel; bis 1937).<br>Staatsbesitz (1937-1940, Aktion Entartete Kunst, EK-Nummer 6129).<br>Galerie Ferdinand M\u00f6ller, Berlin (1940 vom Vorgenannten durch Tausch erhalten).<br>Ferdinand M\u00f6ller, Zerm\u00fctzel (1943).<br>Privatsammlung Schleswig Holstein.&nbsp;<br>Privatsammlung Norddeutschland (vom Vorgenannten durch Erbschaft erhalten).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Datenbank zum Beschlagnahmeinventar der Aktion &#8222;Entartete Kunst&#8220;, Forschungsstelle &#8222;Entartete Kunst&#8220;, FU Berlin (EK-Nummer: 6129).<br>G\u00fcnther Wirth, Verbotene Kunst, Stuttgart 1987, S. 273.<br>Franz Roh, &#8222;Entartete&#8220; Kunst. Kunstbarbarei im Dritten Reich, Hannover 1962, S. 222.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Am 17.Februar 1913 findet in M\u00fcnchen die Benefizversteigerung zugunsten der verarmten K\u00fcnstlerin Else Lasker-Sch\u00fcler im Neuen Kunstsalon von Ferdinand Schmidt und Paul Dietzel statt. Franz Marc hatte diese f\u00fcr Else Lasker-Sch\u00fcler, die nach ihrer Scheidung von Herwarth Walden als alleinerziehnde Mutter in einer finanziell \u00e4u\u00dferst schwierigen Situation war, iniziiert. Befreundete K\u00fcnstler wie Franz Marc, Erich Heckel, Paul Klee, Karl Schmidt-Rottluff, Alexej Jawlensky und etliche andere stiften Werke f\u00fcr diese Versteigerung. Doch ist das Kaufinteresse \u00e4u\u00dferst gering und ein minimaler Erl\u00f6s wird nur durch die K\u00fcnstler und die Galeristen, welche die Werke selbst kaufen, erzielt. Unser Blatt erwirbt der Galerist Ferdinand Schmidt. Otto Mueller hat mit diesem Blatt, das in Abklatschtechnik entstanden ist und dann von ihm an manchen Stellen des Hintergrundes und im leuchtend gelben Frauenk\u00f6rper mit dem Pinsel \u00fcberarbeitet wurde, ein technisch in seinem Werk singul\u00e4res Blatt zur Verf\u00fcgung gestellt. [EH]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hockende (Kniender weiblicher Akt). Um 1912.Monotypie, mit dem Pinsel \u00fcbergangen (Unikat).&nbsp;Pirsig-Marshall \/ von L\u00fcttichau P 1912\/25 (952). Rechts unten signiert. Verso eigenh\u00e4ndig mit einer Widmung &#8222;Otto Mueller f\u00fcr Frau Lasker Sch\u00fcler&#8220;. Auf weichem B\u00fctten. 18 x 20 cm (7 x 7,8 in). Papier. 36 x 45,5 cm (14,1 x 17,9 in).Verso mit einer verworfenen Kohlezeichnung [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5374,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-5373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574.jpg",570,465,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574-300x245.jpg",300,245,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574.jpg",570,465,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574.jpg",570,465,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574.jpg",570,465,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574.jpg",570,465,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/119002574-15x12.jpg",15,12,true]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Hockende (Kniender weiblicher Akt). Um 1912.Monotypie, mit dem Pinsel \u00fcbergangen (Unikat).&nbsp;Pirsig-Marshall \/ von L\u00fcttichau P 1912\/25 (952). Rechts unten signiert. Verso eigenh\u00e4ndig mit einer Widmung &#8222;Otto Mueller f\u00fcr Frau Lasker Sch\u00fcler&#8220;. Auf weichem B\u00fctten. 18 x 20 cm (7 x 7,8 in). Papier. 36 x 45,5 cm (14,1 x 17,9 in).Verso mit einer verworfenen Kohlezeichnung&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/5373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=5373"}],"version-history":[{"count":2,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/5373\/revisions"}],"predecessor-version":[{"id":5376,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/5373\/revisions\/5376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/5374"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=5373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=5373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=5373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}