{"id":5319,"date":"2026-10-05T09:49:04","date_gmt":"2026-10-05T09:49:04","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=5319"},"modified":"2026-10-06T15:28:05","modified_gmt":"2026-10-06T15:28:05","slug":"wassily-kandinsky-2","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/wassily-kandinsky-2\/","title":{"rendered":"Wassily Kandinsky"},"content":{"rendered":"<div data-spectra-id=\"spectra-muwcrz9r-146k8u\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-muwcrzb2-6ut4yr\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=117000133&amp;anummer=606\" target=\"_self\" aria-label=\"mehr infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">mehr infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div data-spectra-id=\"spectra-muwtztrz-cc7j4f\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-muwtztut-pepdva\" href=\"https:\/\/munich-art-research.de\/sueddeutsche-zeitung-der-kandinsky-der-ein-muenter-war\/\" target=\"_self\" aria-label=\"dieser fall in der s\u00fcddeutschen zeitung\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">dieser fall in der s\u00fcddeutschen zeitung<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Villa Seeburg am Staffelsee<\/strong>. 1911.<br>\u00d6l auf Malpappe.&nbsp;<br>Rechts unten signiert und datiert. Verso von fremder Hand betitelt, datiert und bezeichnet &#8222;Goldschmidt Frankfurt \/ M&#8220;. 33,2 x 44,7 cm (13 x 17,5 in).&nbsp;<br><strong><br>&#8222;Unsere beiden Bilder hei\u00dfen: Seeburg am Staffelsee und D\u00fcnaburg (1911). [\u2026] Die Villa Seeburg ist das Bild, das Sie urkundlich aufgezeichnet haben. [\u2026] Seeburg: Ein Turm, der sich im Wasser spiegelt.&#8220;&nbsp;<\/strong><br>Herwarth Walden, Brief an Gabriele M\u00fcnter, 5.1.1914.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken Dr. Mara Wantuch-Thole, LL.M. und Dr. Ewald Volhard sowie den Erben von Hedwig und Jacob Goldschmidt f\u00fcr die freundliche Unterst\u00fctzung und f\u00fcr die wissenschaftliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Sammlung Nell und Herwarth Walden, Berlin (direkt vom K\u00fcnstler, November 1913-mindestens 1919).<br>Sammlung Dr. Oskar Kirchner (1877-1956), Gelsenkirchen (seither in Familienbesitz).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Der Blaue Reiter, Kunstsalon Marcel Goldschmidt und Cie., Frankfurt a. Main, 28.8.-Mitte Sept. 1912 (m\u00f6glicherweise, ohne eigenen Katalog, mit einem Versandvermerk &#8222;Goldschmidt Frankfurt \/ M.&#8220; auf der Werkr\u00fcckseite).<br>Sammlung Walden, Galerie &#8222;Der Sturm&#8220;, Berlin, mindestens 1915-1919 (mit Katalogen).<br>Sturm Gesamtschau, Kunstsalon Marcel Goldschmidt und Cie., Frankfurt a. Main, Sept.\/Okt. 1917 (m\u00f6glicherweise, ohne eigenen Katalog, mit einem Versandvermerk &#8222;Goldschmidt Frankfurt \/ M.&#8220; auf der Werkr\u00fcckseite).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR:&nbsp;Wassily<strong> <\/strong>Kandinsky, &#8222;Memorandum&#8220;, Ende 1911, nach: Hans Konrad Roethel, Jean K. Benjamin, Kandinsky. Werkverzeichnis der \u00d6lgem\u00e4lde, Bd. 1: 1900-1915, M\u00fcnchen 1982, S. 19, Abb. 10.<br>Hedwig Kirchner, Liste der Verteilung der Sammlung Oskar Kirchner, vor 1961, Privatnachlass.<br>Herwarth Walden an Gabriele M\u00fcnter, 5.1.1914 (Brief), Lenbachhaus M\u00fcnchen.<br>Herwarth Walden (Hrsg.), Sammlung Walden. Gem\u00e4lde, Zeichnungen, Plastiken, Galerie der Sturm. Drittes Verzeichnis November 1915, S. 6.<br>Herwarth Walden (Hrsg.), Sammlung Walden. Gem\u00e4lde, Zeichnungen, Plastiken, Galerie der Sturm. Viertes Verzeichnis Mai 1916, Nr. 102.<br>Herwarth Walden (Hrsg.), Sammlung Walden. Gem\u00e4lde, Zeichnungen, Plastiken, Galerie der Sturm. F\u00fcnftes Verzeichnis April 1917, Nr. 113.<br>Herwarth Walden (Hrsg.), Sammlung Walden. Gem\u00e4lde, Zeichnungen, Plastiken, Galerie der Sturm. Sechstes Verzeichnis Mai 1917, Nr. 136.<br>Herwarth Walden (Hrsg.), Sammlung Walden. Gem\u00e4lde, Zeichnungen, Plastiken, Galerie der Sturm. Siebtes Verzeichnis M\u00e4rz 1919, Nr. 171.<br>Herwarth Walden (Hrsg.), Sammlung Walden. Gem\u00e4lde, Zeichnungen, Plastiken, Galerie der Sturm. Achtes Verzeichnis Oktober 1919, Nr. 171.<br>Hans Konrad Roethel, Jean K. Benjamin, Kandinsky. Werkverzeichnis der \u00d6lgem\u00e4lde, Bd. 1: 1900-1915, M\u00fcnchen 1982, S. 19, Abb. 10.<br>Karla Bilang, Kandinsky, M\u00fcnter, Walden. Briefe und Schriften 1912-1914, Bern [u.a.] 2012, S. 150f., 221.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Villa Seeburg am Staffelsee. 1911.\u00d6l auf Malpappe.&nbsp;Rechts unten signiert und datiert. Verso von fremder Hand betitelt, datiert und bezeichnet &#8222;Goldschmidt Frankfurt \/ M&#8220;. 33,2 x 44,7 cm (13 x 17,5 in).&nbsp;&#8222;Unsere beiden Bilder hei\u00dfen: Seeburg am Staffelsee und D\u00fcnaburg (1911). [\u2026] Die Villa Seeburg ist das Bild, das Sie urkundlich aufgezeichnet haben. [\u2026] Seeburg: Ein [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5320,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-5319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133.jpg",570,423,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133-300x223.jpg",300,223,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133.jpg",570,423,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133.jpg",570,423,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133.jpg",570,423,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133.jpg",570,423,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/10\/117000133-16x12.jpg",16,12,true]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Villa Seeburg am Staffelsee. 1911.\u00d6l auf Malpappe.&nbsp;Rechts unten signiert und datiert. Verso von fremder Hand betitelt, datiert und bezeichnet &#8222;Goldschmidt Frankfurt \/ M&#8220;. 33,2 x 44,7 cm (13 x 17,5 in).&nbsp;&#8222;Unsere beiden Bilder hei\u00dfen: Seeburg am Staffelsee und D\u00fcnaburg (1911). [\u2026] Die Villa Seeburg ist das Bild, das Sie urkundlich aufgezeichnet haben. [\u2026] Seeburg: Ein&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/5319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=5319"}],"version-history":[{"count":4,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/5319\/revisions"}],"predecessor-version":[{"id":5369,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/5319\/revisions\/5369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/5320"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=5319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=5319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=5319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}