{"id":4410,"date":"2026-04-25T08:20:54","date_gmt":"2026-04-25T08:20:54","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4410"},"modified":"2026-04-25T08:23:49","modified_gmt":"2026-04-25T08:23:49","slug":"agnes-thum-ueber-provenienzforschung-an-werken-von-max-liebermann","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/agnes-thum-ueber-provenienzforschung-an-werken-von-max-liebermann\/","title":{"rendered":"Agnes Thum on Provenance Research on Works by Max Liebermann"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Agnes Thum schreibt gemeinsam mit Sarah von der Lieth den Aufsatz &#8222;Auf schwierigen Wegen zur gerechten L\u00f6sung: Provenienzforschung an Werken von Max Liebermann im Auktionshandel&#8220; f\u00fcr die Publikation <em>&#8222;<\/em><em>Wenn Bilder sprechen&#8220;.<\/em><em><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DOI:&nbsp;<a href=\"http:\/\/www.ub.uni-heidelberg.de\/cgi-bin\/edok?dok=https%3A%2F%2Fdoi.org%2F10.11588%2FARTHISTORICUM.1118.C15357&amp;bibl=1\" target=\"_blank\" rel=\"noreferrer noopener\">10.11588\/ARTHISTORICUM.1118.C15357<\/a><\/p>\n\n\n\n<figure data-spectra-id=\"spectra-moe2koq6-h7hnq6\" class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"390\" src=\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann_2.png\" alt=\"max liebermann 2\" class=\"wp-image-4412\" title=\"Agnes Thum on Provenance Research on Works by Max Liebermann\" srcset=\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann_2.png 570w, https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann_2-300x205.png 300w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Agnes Thum schreibt gemeinsam mit Sarah von der Lieth den Aufsatz &#8222;Auf schwierigen Wegen zur gerechten L\u00f6sung: Provenienzforschung an Werken von Max Liebermann im Auktionshandel&#8220; f\u00fcr die Publikation &#8222;Wenn Bilder sprechen&#8220;. DOI:&nbsp;10.11588\/ARTHISTORICUM.1118.C15357<\/p>","protected":false},"author":1,"featured_media":4411,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[11],"tags":[],"class_list":["post-4410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuelles"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann.png",600,600,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann-150x150.png",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann-300x300.png",300,300,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann.png",600,600,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann.png",600,600,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann.png",600,600,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann.png",600,600,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann.png",12,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Agnes Thum schreibt gemeinsam mit Sarah von der Lieth den Aufsatz &#8222;Auf schwierigen Wegen zur gerechten L\u00f6sung: Provenienzforschung an Werken von Max Liebermann im Auktionshandel&#8220; f\u00fcr die Publikation &#8222;Wenn Bilder sprechen&#8220;. 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