{"id":4381,"date":"2026-04-24T13:10:51","date_gmt":"2026-04-24T13:10:51","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4381"},"modified":"2026-04-25T08:24:25","modified_gmt":"2026-04-25T08:24:25","slug":"carolin-faude-nagel-ueber-kunstfaelschung-und-provenienzforschung","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/carolin-faude-nagel-ueber-kunstfaelschung-und-provenienzforschung\/","title":{"rendered":"Carolin Faude-Nagel on Art Forgery and Provenance Research"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Der gro\u00dfe K\u00f6lner Kunstf\u00e4lscher-Prozess der fiktiven &#8222;Sammlung Werner J\u00e4gers&#8220; l\u00e4sst erkennen, dass vor allem die Klassische Moderne beliebte F\u00e4lschungsmotive bietet, da diese Werke im Handel beachtliche Preise erzielen.\u00a0Die vorliegende Studie, welche im Rahmen einer Magisterarbeit am Institut f\u00fcr<br>Kunstgeschichte der Johannes Gutenberg-Universit\u00e4t in Mainz entstand, untersucht die Kunstf\u00e4lschungen dieser fiktiven &#8222;Sammlung Werner J\u00e4gers&#8220; und deren gef\u00e4lschte Provenienzen. Der aktuelle Kunstmarkt wird anhand von drei F\u00e4lschungen des Wolfgang Beltracchi genauer beleuchtet.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Carolin Faude-Nagel: Kunstf\u00e4lschung und Provenienzforschung &#8211; Am Beispiel von drei F\u00e4lschungen aus dem aktuellen Kunstmarkt, Chorus-Verlag, Mainz, 2013.<\/p>\n\n\n<div data-spectra-id=\"spectra-mocxdu2h-cs20vm\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mocxdu8a-gcogiw\" href=\"https:\/\/www.amazon.de\/Kunstf%C3%A4lschung-Provenienzforschung-F%C3%A4lschungen-aktuellen-Kunstmarkt\/dp\/393187690X\" target=\"_blank\" aria-label=\"zUR pUBLIKATION\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">zUR pUBLIKATION<\/div><\/a>\n\n<\/div>\n\n\n\n<figure data-spectra-id=\"spectra-mocxhr5s-ccib3a\" class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"http:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg\" alt=\"kunstfaelschung provenienzforschung\" class=\"wp-image-4382\" title=\"Carolin Faude-Nagel on Art Forgery and Provenance Research\" srcset=\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg 600w, https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung-300x300.jpg 300w, https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Der gro\u00dfe K\u00f6lner Kunstf\u00e4lscher-Prozess der fiktiven &#8222;Sammlung Werner J\u00e4gers&#8220; l\u00e4sst erkennen, dass vor allem die Klassische Moderne beliebte F\u00e4lschungsmotive bietet, da diese Werke im Handel beachtliche Preise erzielen.\u00a0Die vorliegende Studie, welche im Rahmen einer Magisterarbeit am Institut f\u00fcrKunstgeschichte der Johannes Gutenberg-Universit\u00e4t in Mainz entstand, untersucht die Kunstf\u00e4lschungen dieser fiktiven &#8222;Sammlung Werner J\u00e4gers&#8220; und deren gef\u00e4lschte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[11],"tags":[],"class_list":["post-4381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuelles"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg",600,600,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung-300x300.jpg",300,300,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg",600,600,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg",600,600,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg",600,600,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg",600,600,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg",12,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Der gro\u00dfe K\u00f6lner Kunstf\u00e4lscher-Prozess der fiktiven &#8222;Sammlung Werner J\u00e4gers&#8220; l\u00e4sst erkennen, dass vor allem die Klassische Moderne beliebte F\u00e4lschungsmotive bietet, da diese Werke im Handel beachtliche Preise erzielen.\u00a0Die vorliegende Studie, welche im Rahmen einer Magisterarbeit am Institut f\u00fcrKunstgeschichte der Johannes Gutenberg-Universit\u00e4t in Mainz entstand, untersucht die Kunstf\u00e4lschungen dieser fiktiven &#8222;Sammlung Werner J\u00e4gers&#8220; und deren gef\u00e4lschte&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4381"}],"version-history":[{"count":1,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4381\/revisions"}],"predecessor-version":[{"id":4383,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4381\/revisions\/4383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4382"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}