{"id":4326,"date":"2026-03-29T13:31:53","date_gmt":"2026-03-29T13:31:53","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4326"},"modified":"2026-10-06T07:23:01","modified_gmt":"2026-10-06T07:23:01","slug":"hermann-max-pechstein-stillleben-mit-orangen-1909","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/hermann-max-pechstein-stillleben-mit-orangen-1909\/","title":{"rendered":"Hermann Max Pechstein"},"content":{"rendered":"<div data-spectra-id=\"spectra-muwcpx1t-trzois\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-muwcpx3c-p1in87\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=123001689&amp;anummer=560\" target=\"_self\" aria-label=\"mehr infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">mehr infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Stillleben mit Orangen<\/strong>. 1909.<br>\u00d6l auf Leinwand.&nbsp;<br>Links oben signiert und datiert. Verso betitelt &#8222;Stilleben&#8220; sowie mit &#8222;Pechstein&#8220;, der Berliner Adresse des K\u00fcnstlers &#8222;Durlacher Str. 14&#8220; und der Preisangabe &#8222;300&#8220; [Mark] bezeichnet. 50 x 65 cm (19,6 x 25,5 in).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Sammlung Marczell von Nemes, M\u00fcnchen (bis 1930).<br>Nachlass Marczell von Nemes (bis 1934: Lepke).<br>Das Kunsthaus Herbert Tannenbaum, Mannheim (im Auftrag des Nachgenannten 1934 vom Vorgenannten erworben).<br>Sammlung William (Dr. Wilhelm) Landmann (1891-1987), Mannheim \/ Amsterdam \/ Toronto (vom Vorgenannten).<br>Sammlung Martin Landmann (1923-2021), Vancouver, Kanada (vom Vorgenannten erhalten).<br>Seither in Familienbesitz.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Stedelijk Museum, Amsterdam (Juli 1939-1946 als Leihgabe aus der Sammlung Landmann).<br>European sculpture and painting from the collection of William Landmann, Toronto, Art Gallery of Ontario, Toronto, 18.10.-17.11.1946.<br>F\u00fcr die Kunst! Herbert Tannenbaum und sein Kunsthaus. Ein Galerist \u2013 seine K\u00fcnstler, seine Kunden, sein Konzept, Rei\u00df-Museum Mannheim, 11.9.1994-8.1.1995, Kat.-Nr. 246, S. 110 (m. Farbabb. S. 90).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Aya Soika, Max Pechstein. Das Werkverzeichnis der \u00d6lgem\u00e4lde, Bd. I, 1905-1918, M\u00fcnchen 2011, WVZ-Nr. 1909\/3 (m. Farbabb. und SW-Abb.)<br>Rudolph Lepke&#8217;s Kunst-Auctions-Haus, Berlin, Gem\u00e4lde, Bildwerke, altes Kunstgewerbe des 16. bis 18. Jahrhunderts aus einer s\u00fcddeutschen Sammlung, Auktion 12.6.1934, Los 310 (m. Abb. Tafel 8).<br>Unterlagen zur Einlagerung \/ Leihgabe der Sammlung Landmann, Archiv des Stedelijk Museum Amsterdam, Ordner 707.&nbsp;<br>Unterlagen zur Einlagerung \/ Leihgabe der Sammlung Landmann, Archiv des Stedelijk Museum Amsterdam, Ordner 698, S. 18, lfd. Nr. 617.<br>Ausstellungsliste von 1946, Archiv der Art Gallery of Ontario, Toronto.<br>Robert Hubbard, European Paintings in Canadian Collections II, Toronto 1962, S. 160.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stillleben mit Orangen. 1909.\u00d6l auf Leinwand.&nbsp;Links oben signiert und datiert. Verso betitelt &#8222;Stilleben&#8220; sowie mit &#8222;Pechstein&#8220;, der Berliner Adresse des K\u00fcnstlers &#8222;Durlacher Str. 14&#8220; und der Preisangabe &#8222;300&#8220; [Mark] bezeichnet. 50 x 65 cm (19,6 x 25,5 in).&nbsp; PROVENIENZ: Sammlung Marczell von Nemes, M\u00fcnchen (bis 1930).Nachlass Marczell von Nemes (bis 1934: Lepke).Das Kunsthaus Herbert Tannenbaum, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4327,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",1000,766,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",150,115,false],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",300,230,false],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",768,588,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",1000,766,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",1000,766,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",1000,766,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein_Stillleben-mit-Orangen.jpg",16,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Stillleben mit Orangen. 1909.\u00d6l auf Leinwand.&nbsp;Links oben signiert und datiert. Verso betitelt &#8222;Stilleben&#8220; sowie mit &#8222;Pechstein&#8220;, der Berliner Adresse des K\u00fcnstlers &#8222;Durlacher Str. 14&#8220; und der Preisangabe &#8222;300&#8220; [Mark] bezeichnet. 50 x 65 cm (19,6 x 25,5 in).&nbsp; PROVENIENZ: Sammlung Marczell von Nemes, M\u00fcnchen (bis 1930).Nachlass Marczell von Nemes (bis 1934: Lepke).Das Kunsthaus Herbert Tannenbaum,&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4326"}],"version-history":[{"count":6,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4326\/revisions"}],"predecessor-version":[{"id":5355,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4326\/revisions\/5355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4327"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}