{"id":4296,"date":"2026-03-29T15:35:26","date_gmt":"2026-03-29T15:35:26","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4296"},"modified":"2026-10-05T09:28:34","modified_gmt":"2026-10-05T09:28:34","slug":"otto-mueller-maschka-maedchen-in-gelber-jacke-zirkusmaedchen-um-1919-sammlung-ismar-littmann-breslau","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/otto-mueller-maschka-maedchen-in-gelber-jacke-zirkusmaedchen-um-1919-sammlung-ismar-littmann-breslau\/","title":{"rendered":"Otto Mueller"},"content":{"rendered":"<div data-spectra-id=\"spectra-mnbrm4s1-23nvvi\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnbrm4uw-fpzyow\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=121001301&amp;anummer=522\" target=\"_blank\" aria-label=\"Mehr Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">Mehr Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Maschka (M\u00e4dchen in gelber Jacke, Zirkusm\u00e4dchen)<\/strong>. Um 1919.<br>Farbige Kreidezeichnung.&nbsp;<br>Von L\u00fcttichau\/Pirsig-Marshall P 1920\/ 49 (600). Rechts unten signiert. Auf Zeichenpapier. 49,8 x 35 cm (19,6 x 13,7 in), blattgro\u00df.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New York, f\u00fcr die freundliche Unterst\u00fctzung und gute Zusammenarbeit. Wir danken Dr. Tanja Pirsig-Marshall, LWL-Museum f\u00fcr Kunst und Kultur, M\u00fcnster\/Westfalen, f\u00fcr die wissenschaftliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Sammlung Dr. Ismar Littmann, Breslau (wohl direkt vom K\u00fcnstler erworben, bis 1932).<br>Auktionshaus Paul Graupe, Berlin (im M\u00e4rz 1932 in Kommission aus dem Eigentum des Vorgenannten, unverkauft).<br>Sammlung Dr. Ismar Littmann, Breslau (ab 1932).<br>Wohl Kunsthandel Schweiz (bis 1961: Kornfeld und Klipstein, 9.\/10.6.1961).<br>Privatsammlung (1961 vom Vorgenannten erworben, seither in Familienbesitz).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Das Werk ist frei von Restitutionsanspr\u00fcchen. Das Angebot erfolgt in freundlichem Einvernehmen und bester \u00dcbereinstimmung mit den Erben nach Dr. Ismar Littmann.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Sammlung Dr. Ismar Littmann, Breslau, Inventar der Grafik, Nr. 3466: &#8222;M\u00e4dchen in gelber Jacke&#8220;.<br>Paul Graupe, Sammlung Rudolf Ibach, Barmen, und Beitr\u00e4ge aus der Sammlung Dr. Littmann, Breslau, sowie aus verschiedenem Besitz. Deutsche und ausl\u00e4ndische Graphik des 19. und 20. Jahrhunderts, Auktion 21.\/22.3.1932, Los 477 (als &#8222;Knabe mit gelber Jacke&#8220;, unverkauft).<br>Wenzel Nachbaur, Otto Mueller Werklisten, Archiv Roman Norbert Ketterer, Kirchner Museum, Davos 1950er Jahre (m. Abb.).<br>Galerie Kornfeld und Klipstein, Bern, Auktion 103, Moderne Kunst, 9.\/10.6.1961, Los 649, mit Abb. Tafel 90.<\/p>","protected":false},"excerpt":{"rendered":"<p>Maschka (M\u00e4dchen in gelber Jacke, Zirkusm\u00e4dchen). Um 1919.Farbige Kreidezeichnung.&nbsp;Von L\u00fcttichau\/Pirsig-Marshall P 1920\/ 49 (600). Rechts unten signiert. Auf Zeichenpapier. 49,8 x 35 cm (19,6 x 13,7 in), blattgro\u00df.&nbsp; Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New York, f\u00fcr die freundliche Unterst\u00fctzung und gute Zusammenarbeit. Wir danken [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4297,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka.jpg",705,1000,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka-212x300.jpg",212,300,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka.jpg",705,1000,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka.jpg",705,1000,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka.jpg",705,1000,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka.jpg",705,1000,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Maschka.jpg",8,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Maschka (M\u00e4dchen in gelber Jacke, Zirkusm\u00e4dchen). Um 1919.Farbige Kreidezeichnung.&nbsp;Von L\u00fcttichau\/Pirsig-Marshall P 1920\/ 49 (600). Rechts unten signiert. Auf Zeichenpapier. 49,8 x 35 cm (19,6 x 13,7 in), blattgro\u00df.&nbsp; Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New York, f\u00fcr die freundliche Unterst\u00fctzung und gute Zusammenarbeit. Wir danken&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4296"}],"version-history":[{"count":7,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4296\/revisions"}],"predecessor-version":[{"id":5288,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4296\/revisions\/5288"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4297"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}