{"id":4290,"date":"2026-03-28T17:21:06","date_gmt":"2026-03-28T17:21:06","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4290"},"modified":"2026-10-05T09:27:04","modified_gmt":"2026-10-05T09:27:04","slug":"lovis-corinth-klostergarten-1917-sammlung-ismar-littmann-breslau","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/lovis-corinth-klostergarten-1917-sammlung-ismar-littmann-breslau\/","title":{"rendered":"Lovis Corinth"},"content":{"rendered":"<div data-spectra-id=\"spectra-mnalh911-3uwfuw\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnalh963-bjbbxa\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=119001940&amp;anummer=517\" target=\"_blank\" aria-label=\"Mehr Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">Mehr Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Klostergarten<\/strong>. 1917.<br>\u00d6l \u00fcber Bleistift auf leinwandstrukturiertem Papier, aufgezogen auf Leinwand.&nbsp;<br>Berend-Corinth 709. Auf der R\u00fcckseite mit einer Best\u00e4tigung von Charlotte Berend-Corinth, die es pers\u00f6nlich aus dem Atelier des Malers fortgegeben hat. 47 x 65 cm (18,5 x 25,5 in).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New York, f\u00fcr die freundliche Unterst\u00fctzung und gute Zusammenarbeit. Wir danken Katja Terlau, K\u00f6ln, f\u00fcr die freundliche wissenschaftliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Sammlung Dr. Ismar Littmann, Breslau (mind. 1927 bis mind. Sommer 1933).<br>Georg Heimann, Breslau (Direktor der Privatbank Dobersch &amp; Bielschowsky, bis Nov. 1935, Sicherheits\u00fcbereignung: Einlieferung f\u00fcr Dr. Littmann bei Lepke, 1.\/2.11.1935).<br>Wilhelm van Suntum, B\u00fcnde in Westfalen (ab 1935: Lepke, 1.\/2.11.1935, bis mind. 1950).<br>Frankfurter Kunstkabinett (1982).<br>Privatsammlung Nordrhein-Westfalen (bis 2020).<br>G\u00fctliche Einigung mit den Erben nach Dr. Ismar Littmann (2020).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Das Werk ist frei von Restitutionsanspr\u00fcchen. Das Angebot erfolgt in freundlichem Einvernehmen mit den Erben nach Dr. Ismar Littmann auf Grundlage einer fairen und gerechten L\u00f6sung.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Lovis Corinth &#8211; Ged\u00e4chtnisausstellung, S\u00e4chsischer Kunstverein, Dresden, 1927, Nr. 87 (Eigent\u00fcmer: Ismar Littmann).<br>Catalogue of the most modern examples of paintings of the \u00c9cole de Paris by French and German masters (..), Whitechapel Art Gallery, London, ohne Datum (wohl 1933), Nr. 8.<br>Exhibition of modern french paintings (\u00c9cole de Paris), Beaux Arts Gallery, London, 7.6.-24.6., ohne Jahr (1933), Nr. 8.<br>Lovis Corinth, Kunsthaus Bielefeld, 7.1.-5.2.1951, Nr. 15.<br>Von Sisley bis Rohlfs &#8211; Meisterwerke des Impressionismus und Neoimpressionismus, Kunsthaus Apolda Avantgarde, 16.6.-15.9.2002, Nr. 9.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Rudolph Lepke, Berlin, 1.\/2.11.1935, Antiquit\u00e4ten, Gem\u00e4lde, Modernes Mobiliar, Los 474.&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Klostergarten. 1917.\u00d6l \u00fcber Bleistift auf leinwandstrukturiertem Papier, aufgezogen auf Leinwand.&nbsp;Berend-Corinth 709. Auf der R\u00fcckseite mit einer Best\u00e4tigung von Charlotte Berend-Corinth, die es pers\u00f6nlich aus dem Atelier des Malers fortgegeben hat. 47 x 65 cm (18,5 x 25,5 in).&nbsp; Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4291,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",1000,690,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",150,104,false],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",300,207,false],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",768,530,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",1000,690,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",1000,690,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",1000,690,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lovis-Corinth_Klostergarten.jpg",18,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Klostergarten. 1917.\u00d6l \u00fcber Bleistift auf leinwandstrukturiertem Papier, aufgezogen auf Leinwand.&nbsp;Berend-Corinth 709. Auf der R\u00fcckseite mit einer Best\u00e4tigung von Charlotte Berend-Corinth, die es pers\u00f6nlich aus dem Atelier des Malers fortgegeben hat. 47 x 65 cm (18,5 x 25,5 in).&nbsp; Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4290"}],"version-history":[{"count":5,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4290\/revisions"}],"predecessor-version":[{"id":5285,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4290\/revisions\/5285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4291"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}