{"id":4274,"date":"2026-03-28T17:02:53","date_gmt":"2026-03-28T17:02:53","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4274"},"modified":"2026-10-05T10:01:44","modified_gmt":"2026-10-05T10:01:44","slug":"otto-mueller-zwei-maedchen-auf-der-waldwiese-um-1910-sammlung-hans-und-ella-j-heymann-berlin","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/otto-mueller-zwei-maedchen-auf-der-waldwiese-um-1910-sammlung-hans-und-ella-j-heymann-berlin\/","title":{"rendered":"Otto Mueller"},"content":{"rendered":"\n\n<div data-spectra-id=\"spectra-mnaksw2d-99qkmv\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnaksw7z-z7qsfe\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=116001087&amp;anummer=432\" target=\"_blank\" aria-label=\"mehr Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">mehr Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Zwei M\u00e4dchen auf der Waldwiese\/Zwei Akte auf Waldwiese\/Im Gras<\/strong>. Um 1910.<br>Tempera, Mischtechnik auf Leinwand.&nbsp;<br>Von L\u00fcttichau 57. Rechts unten monogrammiert. Verso signiert und bezeichnet. 70,5 x 85,5 cm (27,7 x 33,6 in).&nbsp;<br>[EH\/EL].<br>Wir danken Frau Dr. Tanja Pirsig-Marshall und Herrn Dr. Mario von L\u00fcttichau f\u00fcr die freundliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Hans und Ella J. Heymann, Berlin.<br>Galerie Flechtheim, Berlin, in Kommission aus dem Eigentum der Vorgenannten (seit 1. September 1931).<br>Galerie Ferdinand M\u00f6ller, Berlin (Juli 1933, in Kommission, m\u00f6glicherweise in Kooperation mit dem Vorgenannten).<br>Dr. Wilhelm Fulda, Lautawerk (im Juli 1933 durch Vermittlung des Vorgenannten erworben-1950).<br>Privatsammlung Sachsen-Anhalt (1950 durch Erbschaft vom Vorgenannten-1972).<br>Privatsammlung Nordrhein-Westfalen (1972 durch Erbschaft vom Vorgenannten).<br>Seither in Familienbesitz.<br>Es besteht eine Einigung und das Kunstwerk ist frei von Restitutionsanspr\u00fcchen.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Neuere Deutsche Kunst aus Berliner Privatbesitz, Nationalgalerie, Berlin, 1928, Kat.-Nr. 127.<br>Otto Mueller. Ged\u00e4chtnisausstellung, Schlesisches Museum der Bildenden K\u00fcnste, Breslau, 1931, Kat.-Nr. 5 (hier mit der Besitzerangabe Heymann).<br>Otto Mueller. Gedenk-Ausstellung, Nationalgalerie, Berlin, 1931, Kat.-Nr. 18.<br>Von der Heydt-Museum, Wuppertal (seit 2006 Dauerleihgabe).&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zwei M\u00e4dchen auf der Waldwiese\/Zwei Akte auf Waldwiese\/Im Gras. Um 1910.Tempera, Mischtechnik auf Leinwand.&nbsp;Von L\u00fcttichau 57. Rechts unten monogrammiert. Verso signiert und bezeichnet. 70,5 x 85,5 cm (27,7 x 33,6 in).&nbsp;[EH\/EL].Wir danken Frau Dr. Tanja Pirsig-Marshall und Herrn Dr. Mario von L\u00fcttichau f\u00fcr die freundliche Beratung. PROVENIENZ: Hans und Ella J. Heymann, Berlin.Galerie Flechtheim, Berlin, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4275,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",1000,809,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",150,121,false],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",300,243,false],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",768,621,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",1000,809,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",1000,809,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",1000,809,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Otto-Mueller_Zwei-Maedchen-auf-der-Waldwiese.jpg",15,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Zwei M\u00e4dchen auf der Waldwiese\/Zwei Akte auf Waldwiese\/Im Gras. Um 1910.Tempera, Mischtechnik auf Leinwand.&nbsp;Von L\u00fcttichau 57. Rechts unten monogrammiert. Verso signiert und bezeichnet. 70,5 x 85,5 cm (27,7 x 33,6 in).&nbsp;[EH\/EL].Wir danken Frau Dr. Tanja Pirsig-Marshall und Herrn Dr. Mario von L\u00fcttichau f\u00fcr die freundliche Beratung. PROVENIENZ: Hans und Ella J. Heymann, Berlin.Galerie Flechtheim, Berlin,&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4274"}],"version-history":[{"count":5,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4274\/revisions"}],"predecessor-version":[{"id":5334,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4274\/revisions\/5334"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4275"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}