{"id":4254,"date":"2026-03-28T16:32:35","date_gmt":"2026-03-28T16:32:35","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4254"},"modified":"2026-10-05T09:33:44","modified_gmt":"2026-10-05T09:33:44","slug":"wilhelm-lehmbruck-badende-1913sammlung-leo-nachtlicht-berlin","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/wilhelm-lehmbruck-badende-1913sammlung-leo-nachtlicht-berlin\/","title":{"rendered":"Wilhelm Lehmbruck"},"content":{"rendered":"\n\n<div data-spectra-id=\"spectra-mnajqnzz-3py995\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnajqo51-21ngle\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=122000620&amp;anummer=528%20\" target=\"_blank\" aria-label=\"Mehr Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">Mehr Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Badende<\/strong>. 1913.<br>Gips.&nbsp;<br>Schubert 71 A 5. H\u00f6he: 23,1 cm (9 in).&nbsp;<br>Fragment der urspr\u00fcnglich 92 cm hohen Plastik. Lebzeitguss. Gegossen vor 1919. [AM].<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Leo Nachtlicht, Berlin, seit sp\u00e4testens 1928 (seit Januar 1930 als Sicherungs\u00fcbereignung an die Danat-Bank, sp\u00e4ter Dresdner Bank).<br>Galerie Ferdinand M\u00f6ller, Berlin (in Kommission Januar 1932 &#8211; Dezember 1933).<br>Geheimrat Gustav Brecht, K\u00f6ln (im Dezember 1933 vom Vorgenannten erworben).<br>Christoph Brecht, Essen (durch Erbschaft vom Vorgenannten).<br>Seither in Familienbesitz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Das Werk ist frei von Restitutionsanspr\u00fcchen. Das Angebot erfolgt in freundlichem Einvernehmen mit den Erben nach Leo Nachtlicht auf Grundlage einer gerechten und fairen L\u00f6sung.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Ausstellung neuerer deutscher Kunst aus Berliner Privatbesitz, Nationalgalerie Berlin April 1928, Kat.-Nr. 96 (dieses Exemplar).<br>Galerie Ferdinand M\u00f6ller, Ausstellung 30 deutsche K\u00fcnstler, Juli-September 1933, Kat.-Nr. 32 (dieses Exemplar).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Lynn Rother, Die Dresdner Bank als &#8222;marchand-amateur&#8220;? Zur Rolle der Banken im Kunstmarkt w\u00e4hrend des Nationalsozialismus, in: Uwe Fleckner u.a. (Hrsg.), Markt und Macht. Der Kunsthandel im &#8222;Dritten Reich&#8220;, Berlin 2017, S. 67-91, hier S. 77-81 und 85f. (dieses Exemplar).<br>Lynn Rother, Kunst durch Kredit. Die Berliner Museen und ihre Erwerbungen von der Dresdner Bank 1935, Berlin\/Boston 2017, S. 197 Anm. 95, S. 216, 220f. (dieses Exemplar).<br>Rechnung der Galerie Ferdinand M\u00f6ller an Geheimrat Gustav Brecht, K\u00f6ln, vom 15.12.1933 mit Zahlungsbeleg vom 19.12.1933 und Begleitschreiben (Familienbesitz).<br>Ohne Titel (&#8222;Badende&#8220; von Wilhelm Lehmbruck), Nachlass Ferdinand M\u00f6ller, Berlinische Galerie, Werkfotografien, BG-KA-N\/F.M\u00f6ller-F0743 (dieses Exemplar).<br>Brief August Hoff an Ferdinand M\u00f6ller, 2.7.1932, Nachlass Ferdinand M\u00f6ller, Berlinische Galerie, BG-GFM-C,II 1,126-1,152 (dieses Exemplar).<br>Empfangsbest\u00e4tigung der Nationalgalerie Berlin f\u00fcr die Ausstellung von 1928, Zentralarchiv der staatlichen Museen zu Berlin, ZA I_NG 719 S. 368 (dieses Exemplar).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eEin jedes Kunstwerk mu\u00df etwas von den ersten Sch\u00f6pfungstagen haben, von Erdgeruch, man k\u00f6nnte sagen: etwas Animalisches. Alle Kunst ist Ma\u00df. Ma\u00df gegen Ma\u00df, das ist alles. Die Ma\u00dfe, oder bei Figuren die Proportionen, bestimmen den Eindruck, bestimmen die Wirkung, bestimmen den k\u00f6rperlichen Ausdruck, bestimmen sie Linie, die Silhouette und alles.\u201c&nbsp;<br>Wilhelm Lehmbruck, zit. nach: Paul Westheim, Wilhelm Lehmbruck, Potsdam-Berlin 1919, S. 61.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Badende. 1913.Gips.&nbsp;Schubert 71 A 5. H\u00f6he: 23,1 cm (9 in).&nbsp;Fragment der urspr\u00fcnglich 92 cm hohen Plastik. Lebzeitguss. Gegossen vor 1919. [AM]. PROVENIENZ: Leo Nachtlicht, Berlin, seit sp\u00e4testens 1928 (seit Januar 1930 als Sicherungs\u00fcbereignung an die Danat-Bank, sp\u00e4ter Dresdner Bank).Galerie Ferdinand M\u00f6ller, Berlin (in Kommission Januar 1932 &#8211; Dezember 1933).Geheimrat Gustav Brecht, K\u00f6ln (im Dezember 1933 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4255,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende.jpg",1000,1113,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende-270x300.jpg",270,300,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende-768x855.jpg",768,855,true],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende-920x1024.jpg",920,1024,true],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende.jpg",1000,1113,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende.jpg",1000,1113,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Wilhelm_Lehmbruck-Badende.jpg",11,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Badende. 1913.Gips.&nbsp;Schubert 71 A 5. H\u00f6he: 23,1 cm (9 in).&nbsp;Fragment der urspr\u00fcnglich 92 cm hohen Plastik. Lebzeitguss. Gegossen vor 1919. [AM]. PROVENIENZ: Leo Nachtlicht, Berlin, seit sp\u00e4testens 1928 (seit Januar 1930 als Sicherungs\u00fcbereignung an die Danat-Bank, sp\u00e4ter Dresdner Bank).Galerie Ferdinand M\u00f6ller, Berlin (in Kommission Januar 1932 &#8211; Dezember 1933).Geheimrat Gustav Brecht, K\u00f6ln (im Dezember 1933&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4254"}],"version-history":[{"count":5,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4254\/revisions"}],"predecessor-version":[{"id":5298,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4254\/revisions\/5298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4255"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}