{"id":4237,"date":"2026-03-28T16:02:28","date_gmt":"2026-03-28T16:02:28","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4237"},"modified":"2026-10-05T09:37:12","modified_gmt":"2026-10-05T09:37:12","slug":"max-liebermann-bildnis-carl-lewin","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/max-liebermann-bildnis-carl-lewin\/","title":{"rendered":"Max Liebermann"},"content":{"rendered":"\n\n<div data-spectra-id=\"spectra-mnainzix-c74vam\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnainznw-f4g5rk\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=123001738&amp;anummer=563\" target=\"_blank\" aria-label=\"MEHR Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">MEHR Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bildnis des Textilfabrikanten Carl Lewin<\/strong>. 1922.<br>\u00d6l auf Leinwand.&nbsp;<br>Rechts oben signiert und datiert. 90 x 72,5 cm (35,4 x 28,5 in).&nbsp;<br>[AR].<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Carl Lewin, Breslau.<br>C\u00e4cilie Beermann, geb. Lewin, verwitwete Markus (vom Vorgenannten erhalten, bis 1941: verfolgungsbedingte Schenkung an Nachgenannte).<br>Hermine Marie Charlotte Lewin, geb. Radespiel, Berlin (im Oktober 1941 von der Vorgenannten erhalten).<br>Privatbesitz, Berlin (von der Vorgenannten, bis 1955).<br>Wohl Privatbesitz Luxemburg (ab 1955).<br>Dr. Samuel Teitler, St. Gallen (1978).<br>Peter G\u00fcnnemann, Hamburg (1992).<br>Kunsthandel M\u00fcnchen.<br>Privatbesitz Berlin (bis 1993).<br>Kunstkreis Berlin GbR (seit 1993).<br>Privatsammlung Norddeutschland.<br>G\u00fctliche Einigung des Vorgenannten mit den Erben von C\u00e4cilie Beermann (2024).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Das Werk ist frei von Restitutionsanspr\u00fcchen. Das Angebot erfolgt in freundlichem Einvernehmen mit den Erben von C\u00e4cilie Beermann auf Grundlage einer gerechten und fairen L\u00f6sung<\/strong>.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Matthias Eberle, Max Liebermann. Werkverzeichnis der Gem\u00e4lde und \u00d6lstudien, Bd. II: 1900-1935, M\u00fcnchen 1996, WVZ-Nr. 1922\/15 (m. SW-Abb. S. 1058).<br>&#8211; &#8211;<br>Galerie Rosen, 24. Auktion, Berlin 16.-18.5.1955, Nr. 1876.<br>Peter G\u00fcnnemann, Hamburg, 18. Auktion, 4.4.1992, Los 15 (m. Farbabb.).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bildnis des Textilfabrikanten Carl Lewin. 1922.\u00d6l auf Leinwand.&nbsp;Rechts oben signiert und datiert. 90 x 72,5 cm (35,4 x 28,5 in).&nbsp;[AR]. PROVENIENZ: Carl Lewin, Breslau.C\u00e4cilie Beermann, geb. Lewin, verwitwete Markus (vom Vorgenannten erhalten, bis 1941: verfolgungsbedingte Schenkung an Nachgenannte).Hermine Marie Charlotte Lewin, geb. Radespiel, Berlin (im Oktober 1941 von der Vorgenannten erhalten).Privatbesitz, Berlin (von der Vorgenannten, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4238,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",685,900,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",114,150,false],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",228,300,false],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",685,900,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",685,900,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",685,900,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",685,900,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Max_Liebermann-Bildnis-Carl-Lewin.jpg",9,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Bildnis des Textilfabrikanten Carl Lewin. 1922.\u00d6l auf Leinwand.&nbsp;Rechts oben signiert und datiert. 90 x 72,5 cm (35,4 x 28,5 in).&nbsp;[AR]. PROVENIENZ: Carl Lewin, Breslau.C\u00e4cilie Beermann, geb. Lewin, verwitwete Markus (vom Vorgenannten erhalten, bis 1941: verfolgungsbedingte Schenkung an Nachgenannte).Hermine Marie Charlotte Lewin, geb. Radespiel, Berlin (im Oktober 1941 von der Vorgenannten erhalten).Privatbesitz, Berlin (von der Vorgenannten,&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4237"}],"version-history":[{"count":4,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4237\/revisions"}],"predecessor-version":[{"id":5303,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4237\/revisions\/5303"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4238"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}