{"id":4231,"date":"2026-03-28T15:54:47","date_gmt":"2026-03-28T15:54:47","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4231"},"modified":"2026-10-05T09:38:20","modified_gmt":"2026-10-05T09:38:20","slug":"carl-spitzweg-der-maler-im-atelier-um-1860-ludwigs-galerie-muenchen","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/carl-spitzweg-der-maler-im-atelier-um-1860-ludwigs-galerie-muenchen\/","title":{"rendered":"Carl Spitzweg"},"content":{"rendered":"<div data-spectra-id=\"spectra-mnaie5ez-vmyruh\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnaie5k6-i7mcwd\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=123001345&amp;anummer=555\" target=\"_blank\" aria-label=\"MEHR Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">MEHR Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Der Maler im Atelier<\/strong>. Um 1860.<br>\u00d6l auf Malpappe.&nbsp;<br>Verso mit dem Faksimile-Monogramm sowie mit diversen handschriftlichen Bezeichnungen und Besitzervermerken, Nummerierungen, fragmentarischen Etiketten und Stempel des Malereibedarfs Schachinger &amp; Herrmann, M\u00fcnchen. 23,5 x 18,6 cm (9,2 x 7,3 in).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken Herrn Detlef Rosenberger, der das Werk im Original begutachtet hat, f\u00fcr die freundliche Auskunft.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Eugen Spitzweg, Neffe des K\u00fcnstlers (verso mit dem Vermerk &#8222;Facsimile Monogramm hinzugef\u00fcgt vom Neffen des K\u00fcnstlers \/ Eugen Spitzweg \/ M\u00fcnchen&#8220;).<br>Ludwigs Galerie, M\u00fcnchen (sp\u00e4testens 1916, bis mindestens Oktober 1933: Angebot bei der Galerie Heinemann, M\u00fcnchen).&nbsp;<br>M\u00f6glicherweise Hermann Uhde-Bernays, Starnberg (m\u00f6glicherweise im Januar 1934 vom Vorgenannten, im Nachlass Uhde-Bernays eine Fotografie mit handschriftlichem Datum &#8222;17.1.1934&#8220; und einem Preisk\u00fcrzel &#8222;QNTH&#8220;).<br>Privatsammlung S\u00fcddeutschland (in Familienbesitz ca. 1935-2018).<br>Privatsammlung Baden-W\u00fcrttemberg.<br>G\u00fctliche Einigung des Vorgenannten mit den Erben der Inhaber der Ludwigs Galerie (2024).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Das Angebot erfolgt in freundlichem Einvernehmen mit Erben der Inhaber der Ludwigs Galerie im Sinne einer gerechten und fairen L\u00f6sung.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Carl Spitzweg, Moderne Galerie Thannhauser, aus dem Besitz der Ludwigs Galerie, M\u00fcnchen, September 1916.<br>Ludwigs Galerie, M\u00fcnchen, Februar 1931 und 1.-30. Juni 1931, Nr. 77.<br>Jubil\u00e4ums-Ausstellung, Galerie Commeter, Hamburg, September 1931 (aus dem Besitz der Ludwigs Galerie, M\u00fcnchen).<br>Spitzweg-Ausstellung, Galerie Heinemann, M\u00fcnchen, 14.10.-12.11.1933, Nr. 18 (aus dem Besitz der Ludwigs Galerie, M\u00fcnchen).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke. Gem\u00e4lde und Aquarelle, Stuttgart 2002, WVZ-Nr. 465 (m. Abb.).<br>G\u00fcnther Roennefahrt, Carl Spitzweg. Beschreibendes Verzeichnis seiner Gem\u00e4lde, \u00d6lstudien und Aquarelle, M\u00fcnchen 1960, Nr. 1409 (m. Abb.).<br>&#8211; &#8211;<br>Siegfried Wichmann, Carl Spitzweg, Kunst, Kosten und Konflikte, Frankfurt a. Main 1991, Handschriftliches Verkaufsverzeichnis, S. 326: &#8222;171 Portraitmaler idem wie No. 169 nur kleiner; Gr\u00f6sse wie W\u00fcste, kleine Nymphe \/ 1862 Juli 4 K\u00f6ln 110 Thaler = (192 1\/2 fl)&#8220;.<br>Hermann Uhde-Bernays, Spitzweg. Reime und Bilder, M\u00fcnchen 1921, Abb. 5 (&#8222;Der Portr\u00e4tmaler&#8220;).<br>Max von Boehn, Carl Spitzweg, Bielefeld\/Leipzig 1920, Abb. S. 60 (&#8222;Portr\u00e4tsitzung&#8220;).<br>Fritz von Ostini, Aus Carl Spitzwegs Welt, Barmen 1924, S. 49.<br>Hans Eckstein, Romantische Malerei in Deutschland und Frankreich, in: Kunst und K\u00fcnstler, Jg. 29, Heft 11, 1931, S. 442.<br>N\u00fcrnberg, Deutsches Kunstarchiv, Nachlass Heinemann, Kartei angebotene Bilder (http:\/\/heinemann.gnm.de\/de\/kunstwerk-44597.htm).&nbsp;<br>N\u00fcrnberg, Deutsches Kunstarchiv, Nachlass Uhde-Bernays, Hermann, 4 (Werkfotografie mit handschriftlichem Datum 17.1.1934 und Preisk\u00fcrzel).&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Der Maler im Atelier. Um 1860.\u00d6l auf Malpappe.&nbsp;Verso mit dem Faksimile-Monogramm sowie mit diversen handschriftlichen Bezeichnungen und Besitzervermerken, Nummerierungen, fragmentarischen Etiketten und Stempel des Malereibedarfs Schachinger &amp; Herrmann, M\u00fcnchen. 23,5 x 18,6 cm (9,2 x 7,3 in).&nbsp; Wir danken Herrn Detlef Rosenberger, der das Werk im Original begutachtet hat, f\u00fcr die freundliche Auskunft. PROVENIENZ: Eugen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4232,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier.jpg",777,1000,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier-233x300.jpg",233,300,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier-768x988.jpg",768,988,true],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier.jpg",777,1000,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier.jpg",777,1000,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier.jpg",777,1000,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Carl-Spitzweg-Der-Maler-im-Atelier.jpg",9,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Der Maler im Atelier. Um 1860.\u00d6l auf Malpappe.&nbsp;Verso mit dem Faksimile-Monogramm sowie mit diversen handschriftlichen Bezeichnungen und Besitzervermerken, Nummerierungen, fragmentarischen Etiketten und Stempel des Malereibedarfs Schachinger &amp; Herrmann, M\u00fcnchen. 23,5 x 18,6 cm (9,2 x 7,3 in).&nbsp; Wir danken Herrn Detlef Rosenberger, der das Werk im Original begutachtet hat, f\u00fcr die freundliche Auskunft. PROVENIENZ: Eugen&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4231"}],"version-history":[{"count":5,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4231\/revisions"}],"predecessor-version":[{"id":5305,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4231\/revisions\/5305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4232"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}