{"id":4225,"date":"2026-03-28T15:49:46","date_gmt":"2026-03-28T15:49:46","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4225"},"modified":"2026-10-05T09:38:46","modified_gmt":"2026-10-05T09:38:46","slug":"hermann-max-pechstein-maerzenschnee-1909-sammlung-walther-rathenau-berlinsammlung-fritz-und-edith-andreae-geb-rathenau-berlin","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/hermann-max-pechstein-maerzenschnee-1909-sammlung-walther-rathenau-berlinsammlung-fritz-und-edith-andreae-geb-rathenau-berlin\/","title":{"rendered":"Hermann Max Pechstein"},"content":{"rendered":"<div data-spectra-id=\"spectra-mnai6fn5-frmdog\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnai6fs9-9bwgkd\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=124001375&amp;anummer=590\" target=\"_blank\" aria-label=\"MEHR Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">MEHR Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>M\u00e4rzenschnee: Der Bahndamm<\/strong>. 1909.<br>\u00d6l auf Leinwand.&nbsp;<br>Rechts unten monogrammiert und datiert. 55 x 51 cm (21,6 x 20 in).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Walther Rathenau (Berliner Secession 1909).<br>Nachlass Rathenau (1922\/23).<br>Walther-Rathenau-Stiftung (1923-1934).<br>Fritz und Edith Andreae, geb. Rathenau (1934-1936).<br>Privatbesitz Nordrhein-Westfalen (wohl Ende der 1950er Jahre erworben in der Galerie Gro\u00dfhennig).<br>Seither in Familienbesitz.<br>G\u00fctliche Einigung des Vorgenannten mit den Erben von Fritz und Edith Andreae (2025).<br>Wir danken Anna B. Rubin, HCPO New York, und Wolfgang Andreae, Walther Rathenau Gesellschaft e. V., f\u00fcr die freundliche Unterst\u00fctzung.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Internationale Kunstausstellung 1909, Berliner Secession, Berlin, 1909, Kat.-Nr. 195 (hier: M\u00e4rzenschnee) (verso auf dem Keilrahmen mit einem Etikett).<br>Walther Rathenau 1867-1922. Die Extreme ber\u00fchren sich, Deutsches Historisches Museum, Berlin, 9.12.1993-8.2.1994, Kat.-Nr. 2\/33, Farbabb. S. 302.<br>Max Pechstein. Sein malerisches Werk, Br\u00fccke-Museum Berlin \/ Kunsthalle T\u00fcbingen \/ Kunsthalle Kiel, 1996\/97, Kat.-Nr. 13 (m. Farbabb.) (hier: &#8222;M\u00e4rzenschnee III&#8220;).<br>Im Farbenrausch. Munch, Matisse und die Expressionisten, Museum Folkwang, Essen, 29.9.2012-13.1.2013, Kat.-Nr. 126, Farbabb. S. 238.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Aya Soika, Max Pechstein. Das Werkverzeichnis der \u00d6lgem\u00e4lde, Bd. 1: 1905-1918, M\u00fcnchen 2011, WVZ-Nr. 1909\/7 (m. Farbabb.).<br>&#8211; &#8211;<br>Auktionshaus Dr. Ernst Mandelbaum &amp; Peter Paul Kronthal, Berlin, 13.6.1936, Los 518 (hier: &#8222;Der Bahndamm&#8220;).<br>Leopold Reidemeister (Hrsg.), Max Pechstein. Erinnerungen, Wiesbaden 1960, S. 34.<br>Edwin Redslob, Von Weimar nach Europa. Erlebtes und Durchdachtes, Berlin 1972, S. 185.<br>Leopold Reidemeister, Das Br\u00fccke-Museum, Berlin 1984, S. 48.<br>Henrike Junge-Gent, Avantgarde und Publikum: Zur Rezeption avantgardistischer Kunst in Deutschland 1905-1933, K\u00f6ln u. a. 1992, S. 256.<br>Stefan Pucks, &#8222;Eine weichliche, leidende, dem Beruf nicht gen\u00fcgende Natur? &#8211; Walther Rathenau im Spiegel der Kunst&#8220;, in: Die Extreme ber\u00fchren sich, Walther Rathenau 1867-1922, Berlin 1993, S. 83-98.<br>Magdalena M. Moeller, Max Pechstein. Sobre su curado Haff, in: Pechstein en Nidden 1909, Madrid 1999\/2000, S. 14, SW-Abb. 1 (Detail).<br>Magdalena M. Moeller, Die gro\u00dfen Expressionisten: Meisterwerke und K\u00fcnstlerleben, K\u00f6ln 2000, S. 226.<br>Magdalena M. Moeller (Hrsg.), Max Pechsein im Br\u00fccke-Museum Berlin, M\u00fcnchen 2001, S. 12.<br>Christoph Otterbeck, Europa verlassen: K\u00fcnstlerreisen am Beginn des 20. Jahrhunderts, K\u00f6ln u. a. 2007, S. 238.<br>Anna Teut, B\u00fcrgerlich k\u00f6niglich: Walther Rathenau und Freienwalde, Berlin 2007, S. 51 (m. Abb.).<br>Aya Soika, Max Pechstein, der &#8222;F\u00fchrer&#8220; der Br\u00fccke: Anmerkungen zur zeitgen\u00f6ssischen Rezeption, in: Br\u00fccke Archiv, 23\/2008, hrsg. von Magdalena M. Moeller, M\u00fcnchen 2008, S. 80.<br>Magdalena M. Moeller, Max Pechstein in Nidden. Zu seinem Gem\u00e4lde Haff, in: Neue Forschungen und Berichte, Br\u00fccke-Archiv, Heft 23\/2008, S. 68 (m. Abb. 4).<br>Lothar Gall, Walter Rathenau: Portrait einer Epoche, M\u00fcnchen 2009, S. 72.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ARCHIVALIEN:<br>Inventarkarte der Walther-Rathenau-Stiftung, Nr. 265 &#8222;Treppenhaus: M\u00e4rzenschnee&#8220;, ohne Datum, entstanden zw. Nov. 1932 und Mai 1933, in: Bundesarchiv Berlin, Sign. R 1501\/ 125243.<br>Auflistung der Versteigerungsauftr\u00e4ge in den Jahren 1935\/36, in: Entsch\u00e4digungsakte Edith Andreae, Landesamt f\u00fcr B\u00fcrger- und Ordnungsangelegenheiten, Berlin, Reg.-Nr. 52.178.&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>M\u00e4rzenschnee: Der Bahndamm. 1909.\u00d6l auf Leinwand.&nbsp;Rechts unten monogrammiert und datiert. 55 x 51 cm (21,6 x 20 in).&nbsp; PROVENIENZ: Walther Rathenau (Berliner Secession 1909).Nachlass Rathenau (1922\/23).Walther-Rathenau-Stiftung (1923-1934).Fritz und Edith Andreae, geb. Rathenau (1934-1936).Privatbesitz Nordrhein-Westfalen (wohl Ende der 1950er Jahre erworben in der Galerie Gro\u00dfhennig).Seither in Familienbesitz.G\u00fctliche Einigung des Vorgenannten mit den Erben von Fritz und [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4226,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",900,967,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",140,150,false],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",279,300,false],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",768,825,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",900,967,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",900,967,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",900,967,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hermann-Max-Pechstein-Maerzenschnee.jpg",11,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"M\u00e4rzenschnee: Der Bahndamm. 1909.\u00d6l auf Leinwand.&nbsp;Rechts unten monogrammiert und datiert. 55 x 51 cm (21,6 x 20 in).&nbsp; PROVENIENZ: Walther Rathenau (Berliner Secession 1909).Nachlass Rathenau (1922\/23).Walther-Rathenau-Stiftung (1923-1934).Fritz und Edith Andreae, geb. Rathenau (1934-1936).Privatbesitz Nordrhein-Westfalen (wohl Ende der 1950er Jahre erworben in der Galerie Gro\u00dfhennig).Seither in Familienbesitz.G\u00fctliche Einigung des Vorgenannten mit den Erben von Fritz und&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4225"}],"version-history":[{"count":7,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4225\/revisions"}],"predecessor-version":[{"id":5306,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4225\/revisions\/5306"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4226"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}