{"id":4219,"date":"2026-03-28T15:43:02","date_gmt":"2026-03-28T15:43:02","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4219"},"modified":"2026-10-05T09:40:09","modified_gmt":"2026-10-05T09:40:09","slug":"hans-thoma-flora-1882-sammlung-herrmann-weiss-landau","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/hans-thoma-flora-1882-sammlung-herrmann-weiss-landau\/","title":{"rendered":"Hans Thoma"},"content":{"rendered":"<div data-spectra-id=\"spectra-mnahwhot-fjz6ms\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnahwhwc-i2pg4v\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=120002642&amp;anummer=518\" target=\"_blank\" aria-label=\"MEHR Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">MEHR Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Flora<\/strong>. 1882.<br>\u00d6l auf Papier, aufgelegt auf Leinwand.&nbsp;<br>Unten rechts monogrammiert und datiert. Verso auf dem Keilrahmen mit einem alten, nummerierten Etikett. 113 x 62 cm (44,4 x 24,4 in).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken Dr. Mathias Listl, Kunsthalle Mannheim, und Dr. Tessa Rosebrock, Kunstmuseum Basel, f\u00fcr die freundliche wissenschaftliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Sammlung Henry Thode, Heidelberg (1909, bis sp\u00e4testens 1920).<br>Sammlung Hermann Wei\u00df, Landau (sp\u00e4testens August 1933\u2013 mindestens September 1937).<br>Sammlung Karl Georg Wambsgan\u00df, Mannheim (mindestens Mai 1939\u20131943).<br>Privatsammlung Mannheim (drei Generationen in Familienbesitz).<br>G\u00fctliche Einigung mit den Erben nach Hermann Wei\u00df (2021).<br>Das Werk ist frei von Restitutionsanspr\u00fcchen. Das Angebot erfolgt in freundlichem Einvernehmen mit den Erben nach Hermann Wei\u00df auf Grundlage einer fairen und gerechten L\u00f6sung.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Hans Thoma 1839\u20131939, Ged\u00e4chtnisausstellung zum 100. Geburtstag, Staatliche Kunsthalle, Karlsruhe, 1939, Nr. 122.<br>Hans Thoma. Lebensbilder, Augustinermuseum Freiburg im Breisgau, 2.10.\u20133.12.1989, S. 232, Nr. 69 (mit Farbabb.).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Henry Thode, Klassiker der Kunst: Hans Thoma, Stuttgart\/Leipzig 1909, S. 179 (mit Farbabb.), S. 528.<br>Karl Robert Langewiesche, Hans Thoma. Der liebe Friede, K\u00f6nigstein im Taunus\/Leipzig 1927, S. 21 (mit Farbabb.).<br>Galerie Heinemann, M\u00fcnchen, Angebot von Hermann Wei\u00df, 1933 und 1937 (Manuskript, Galerienachlass Heinemann &#8211; Deutsches Kunstarchiv N\u00fcrnberg, Kartei angebotene Bilder, KA-T-147, Dokument-ID: 26956).<br>Staatliche Kunsthalle, Karlsruhe, Versicherungsnachweis f\u00fcr K. G. Wambsgan\u00df, 4.5.1939, Nr. 1 (Typoskript, Archiv der Kunsthalle Karlsruhe).<br>Kunsthalle Mannheim, Verzeichnis der im Schlosskeller Heidelberg untergebrachten Kunstwerke aus Privatbesitz, wohl Herbst 1943, Nr. 10 (Typoskript, Stadtarchiv Mannheim, Bestand Kunsthalle, Ordner \u201eAufbewahrung von Kunstwerken, Leihgaben von Privaten, Aufbewahrung von Kunstwerken zur Begutachtung, 2012, Ordner 325, S. 6\u20138).&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Flora. 1882.\u00d6l auf Papier, aufgelegt auf Leinwand.&nbsp;Unten rechts monogrammiert und datiert. Verso auf dem Keilrahmen mit einem alten, nummerierten Etikett. 113 x 62 cm (44,4 x 24,4 in).&nbsp; Wir danken Dr. Mathias Listl, Kunsthalle Mannheim, und Dr. Tessa Rosebrock, Kunstmuseum Basel, f\u00fcr die freundliche wissenschaftliche Beratung. PROVENIENZ: Sammlung Henry Thode, Heidelberg (1909, bis sp\u00e4testens 1920).Sammlung [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4220,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora.jpg",650,1200,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora-163x300.jpg",163,300,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora.jpg",650,1200,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora-555x1024.jpg",555,1024,true],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora.jpg",650,1200,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora.jpg",650,1200,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Hans-Thoma-Flora.jpg",7,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Flora. 1882.\u00d6l auf Papier, aufgelegt auf Leinwand.&nbsp;Unten rechts monogrammiert und datiert. Verso auf dem Keilrahmen mit einem alten, nummerierten Etikett. 113 x 62 cm (44,4 x 24,4 in).&nbsp; Wir danken Dr. Mathias Listl, Kunsthalle Mannheim, und Dr. Tessa Rosebrock, Kunstmuseum Basel, f\u00fcr die freundliche wissenschaftliche Beratung. PROVENIENZ: Sammlung Henry Thode, Heidelberg (1909, bis sp\u00e4testens 1920).Sammlung&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4219"}],"version-history":[{"count":4,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4219\/revisions"}],"predecessor-version":[{"id":5309,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4219\/revisions\/5309"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4220"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}