{"id":4216,"date":"2026-03-28T15:38:08","date_gmt":"2026-03-28T15:38:08","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4216"},"modified":"2026-10-05T09:40:42","modified_gmt":"2026-10-05T09:40:42","slug":"johann-sperl-stillleben-mit-fruechten-1888-schantung-handels-ag-berlinalois-miedl-kunsthandlung-v-h-j-goudstikker-n-v","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/johann-sperl-stillleben-mit-fruechten-1888-schantung-handels-ag-berlinalois-miedl-kunsthandlung-v-h-j-goudstikker-n-v\/","title":{"rendered":"Johann Sperl"},"content":{"rendered":"<div data-spectra-id=\"spectra-mnahrt1u-74vedn\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mnahrt77-21bz3u\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=120003385&amp;anummer=518\" target=\"_blank\" aria-label=\"MEHR Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">MEHR Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Stillleben mit Fr\u00fcchten<\/strong>. Um 1888.<br>\u00d6l auf Leinwand.&nbsp;<br>Diem 49, Moritz 163. Rechts unten signiert. Verso auf dem Keilrahmen mit zahlreichen, teilweise fragmentierten Etiketten, Stempeln sowie handschriftlichen Bezeichnungen und Nummerierungen. 41 x 58 cm (16,1 x 22,8 in).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken dem &#8222;Goudstikker Art Research Project&#8220; f\u00fcr die freundliche wissenschaftliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Galerie Fritz Zickel, M\u00fcnchen (1926, Hugo Helbing, M\u00fcnchen, 30.11.1926).<br>Schantung Handels AG, Berlin (fr\u00fchestens ab Juni 1940, sp\u00e4testens ab 26.9.1940, Inv.-Nr. S 13).<br>Alois Miedl \/ Kunsthandlung v.h. J. Goudstikker N.V., Amsterdam (vom Vorgenannten \u00fcbernommen, Inv.-Nr. 6129, verso mit dem Etikett).<br>Deutsche Landvolk-Bank, Berlin (1941 und 28.9.1944\u201328.11.1945, Sicherheitseinlage der Vorgenannten, Lempertz, 5.2.1941, und Depot Stadtsparkasse Lenggries, Joh. Witzig &amp; Co).<br>Joh. Witzig &amp; Co., M\u00fcnchen, Depot Stadtsparkasse Lenggries (19.6.1942\u201328.11.1945, Sicherheitseinlage der Schantung Handels AG \/ Alois Miedl \/ Goudstikker).<br>Central Collecting Point, M\u00fcnchen (28.11.1945\u201318.6.1946, verso mit der M\u00fc-Nr. 15864\/12).<br>\u00c4u\u00dfere Restitution an die Niederlande (18.6.1946).<br>Kunstbesitz des Niederl\u00e4ndischen Staates (1946\u20131953, Frederic Muller, Amsterdam, 11.5.1953).<br>Sammlung Dr. Georg Sch\u00e4fer, Schweinfurt (bis 2005, Neumeister M\u00fcnchen, 25.2.2005, verso mit dem Etikett).<br>Privatsammlung S\u00fcddeutschland (seit 2005, Neumeister M\u00fcnchen, 25.2.2005).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Es bestehen keine Restitutionsanspr\u00fcche der Goudstikker-Erben.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Johann Sperl 1840\u20131914. Ged\u00e4chtnisausstellung zum 150. Geburtstag, St\u00e4dtische Galerie, Rosenheim, 12.10.-25.11.1990, Nr. 51 (mit Abb. S. 54).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Inventar Goudstikker, Nr. 6129, 1937\u20131943, S. 82 (Treuhandverwaltung von Kulturgut, BArch Koblenz, B323\/74).<br>Inventar Goudstikker, Nr. 6129 (S 13), 1940 (Archief Goudstikker &#8211; RDK, Den Haag, NL-HaRKD-0374).<br>Schantung Handels AG \/ Deutsche Landvolk-Bank, \u00dcbereignungsvertrag, 28.9.1944 (Goudstikker-Collection &#8211; NARA, Washington D.C., M1946, Rolle 129, S. 20).<br>CCP, M\u00fcnchen, Karteikarten Nr. 15864\/12, 1945\/46 (BArch Koblenz, B323\/622).<br>Miedl-Goudstikker Report, Declaration of Property, 31.5.1946 (NARA, Washington D.C., M1947 Rolle 11, S. 58).<br>Stichting Nederlands Kunstbezit (SNK), Inventarkarte, 1950\u20131953 (Nationaal Archief, Den Haag, 2.8.42, Nr. 877).<br>Hugo Helbing, M\u00fcnchen, Auktion 30.11.1926, Los 240.<br>Lempertz, K\u00f6ln, Auktion 5.3.1929, Los 216 (mit Abb.) und Auktion 5.2.1941, Los 162 (mit Abb.).<br>Frederic Muller, Amsterdam, Auktion 11.5.1953, Los 260.<br>Neumeister, M\u00fcnchen, Auktion 25.2.2005, Los 715 (mit Farbabb.).&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Stillleben mit Fr\u00fcchten. Um 1888.\u00d6l auf Leinwand.&nbsp;Diem 49, Moritz 163. Rechts unten signiert. Verso auf dem Keilrahmen mit zahlreichen, teilweise fragmentierten Etiketten, Stempeln sowie handschriftlichen Bezeichnungen und Nummerierungen. 41 x 58 cm (16,1 x 22,8 in).&nbsp; Wir danken dem &#8222;Goudstikker Art Research Project&#8220; f\u00fcr die freundliche wissenschaftliche Beratung. PROVENIENZ: Galerie Fritz Zickel, M\u00fcnchen (1926, Hugo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4217,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",900,625,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",150,104,false],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",300,208,false],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",768,533,false],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",900,625,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",900,625,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",900,625,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Johann-Sperl-Stillleben-mit-Fruechten.jpg",18,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Stillleben mit Fr\u00fcchten. Um 1888.\u00d6l auf Leinwand.&nbsp;Diem 49, Moritz 163. Rechts unten signiert. Verso auf dem Keilrahmen mit zahlreichen, teilweise fragmentierten Etiketten, Stempeln sowie handschriftlichen Bezeichnungen und Nummerierungen. 41 x 58 cm (16,1 x 22,8 in).&nbsp; Wir danken dem &#8222;Goudstikker Art Research Project&#8220; f\u00fcr die freundliche wissenschaftliche Beratung. PROVENIENZ: Galerie Fritz Zickel, M\u00fcnchen (1926, Hugo&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4216"}],"version-history":[{"count":5,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4216\/revisions"}],"predecessor-version":[{"id":5310,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4216\/revisions\/5310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4217"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}