{"id":4127,"date":"2026-03-23T17:16:02","date_gmt":"2026-03-23T17:16:02","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4127"},"modified":"2026-10-05T09:41:41","modified_gmt":"2026-10-05T09:41:41","slug":"lesser-ury-der-blaue-berg","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/lesser-ury-der-blaue-berg\/","title":{"rendered":"Lesser Ury"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n<div data-spectra-id=\"spectra-mn943742-23m5x8\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mn94378m-2dsn08\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=122001676&amp;anummer=539\" target=\"_blank\" aria-label=\"MEHR Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">MEHR Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Der blaue Berg<\/strong>. Ca. 1900\/10.<br>\u00d6l auf Leinwand.&nbsp;<br>Verso auf der Leinwand mit der handschriftlichen Nachlassnummer &#8222;487&#8220;. 79 x 97 cm (31,1 x 38,1 in).&nbsp;<br>[EH].<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mit einem Gutachten von Dr. Sibylle Gro\u00df, Berlin, vom 31.Mai 2023.<br>Wir danken Anna B. Rubin, HCPO New York, f\u00fcr die freundliche wissenschaftliche Beratung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Nachlass des K\u00fcnstlers (1931, Nachlassnummer 487, verso mit dem Etikett).<br>&#8222;Meisener&#8220;, o. O. (1932 aus vorgenanntem Nachlass erworben laut Protokollkatalog des Cassirer-Archivs, m\u00f6glicherweise Alias f\u00fcr den Nachlass Lesser Ury).<br>Nachlass des K\u00fcnstlers (bis 31.1.1933).<br>Sophie Bieber, Berlin (durch Erbschaft von Lesser Ury, Zuteilung aus dem Nachlass am 31.1.1933).<br>Wohl Erich Bieber, Berlin\/Eichwalde (1935 durch Erbschaft von der Vorgenannten).<br>Privatsammlung Schweiz (bis 2004).<br>Privatsammlung Berlin.<br>Privatsammlung Brandenburg<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Das Werk ist frei von Restitutionsanspr\u00fcchen. Das Angebot erfolgt mit freundlichem Einverst\u00e4ndnis der Erben von Sophie Bieber.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Inventarliste des Nachlasses Lesser Ury: Nr 487: Waldweg, \u00d6l, 78 x 96 cm. SMB-ZA, Berlin, I NG 858, fol. 377.<br>Der k\u00fcnstlerische Nachla\u00df von Lesser Ury. Ausstellung und Versteigerung, Paul Cassirer, Berlin, 13.-15. und 21.10.1932, Versteigerung 21.10.1932, Auktionsleitung Paul Cassirer, Kat.-Nr. 64.<br>Handschriftlich annotiertes Protokollexemplar des vorgenannten Auktionskatalogs, 21.10.1932, Paul Cassirer Archiv &amp; Walter Feilchenfeldt Archiv, Z\u00fcrich (https:\/\/doi.org\/10.11588\/diglit.48864#0043).<br>Aufstellung \u00fcber die zugeteilten Pastelle und aus dem Nachlass Lesser Urys, 31.1.1933, Privatbesitz New York (Nachlass Kurt Ury).<br>Villa Grisebach Auktionen, Berlin, Auktion 118, 12.6.2004, Nr. 142.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Der blaue Berg. Ca. 1900\/10.\u00d6l auf Leinwand.&nbsp;Verso auf der Leinwand mit der handschriftlichen Nachlassnummer &#8222;487&#8220;. 79 x 97 cm (31,1 x 38,1 in).&nbsp;[EH]. Mit einem Gutachten von Dr. Sibylle Gro\u00df, Berlin, vom 31.Mai 2023.Wir danken Anna B. Rubin, HCPO New York, f\u00fcr die freundliche wissenschaftliche Beratung. PROVENIENZ: Nachlass des K\u00fcnstlers (1931, Nachlassnummer 487, verso mit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4190,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg.jpg",860,600,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg-300x209.jpg",300,209,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg-768x536.jpg",768,536,true],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg.jpg",860,600,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg.jpg",860,600,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg.jpg",860,600,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Lesser-Ury-der-Blaue-Berg.jpg",18,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Der blaue Berg. Ca. 1900\/10.\u00d6l auf Leinwand.&nbsp;Verso auf der Leinwand mit der handschriftlichen Nachlassnummer &#8222;487&#8220;. 79 x 97 cm (31,1 x 38,1 in).&nbsp;[EH]. Mit einem Gutachten von Dr. Sibylle Gro\u00df, Berlin, vom 31.Mai 2023.Wir danken Anna B. Rubin, HCPO New York, f\u00fcr die freundliche wissenschaftliche Beratung. PROVENIENZ: Nachlass des K\u00fcnstlers (1931, Nachlassnummer 487, verso mit&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4127"}],"version-history":[{"count":10,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4127\/revisions"}],"predecessor-version":[{"id":5312,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4127\/revisions\/5312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4190"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}