{"id":4120,"date":"2026-03-23T17:05:37","date_gmt":"2026-03-23T17:05:37","guid":{"rendered":"https:\/\/munich-art-research.de\/?p=4120"},"modified":"2026-10-07T08:37:52","modified_gmt":"2026-10-07T08:37:52","slug":"emil-nolde-palmen-1915sammlung-ismar-littmann-breslau","status":"publish","type":"post","link":"https:\/\/munich-art-research.de\/en\/emil-nolde-palmen-1915sammlung-ismar-littmann-breslau\/","title":{"rendered":"Emil Nolde"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><sup>\u00a9 Nolde Stiftung Seeb\u00fcll<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div data-spectra-id=\"spectra-mn9452pj-t1lonm\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-mn9452vw-qsi8w8\" href=\"https:\/\/www.kettererkunst.de\/kunst\/kd\/details.php?obnr=123001940&amp;anummer=545&amp;detail=1\" target=\"_blank\" aria-label=\"MEHR Infos\" class=\"wp-block-button__link wp-element-button wp-block-spectra-button\">\n<div class=\"spectra-button__link\">MEHR Infos<\/div><\/a>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Palmen<\/strong>. 1915.<br>\u00d6l auf Leinwand.&nbsp;<br>Links unten signiert. Auf dem Keilrahmen signiert und betitelt. 74 x 88 cm (29,1 x 34,6 in).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New York, f\u00fcr die freundliche Unterst\u00fctzung und gute Zusammenarbeit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PROVENIENZ: Sammlung Dr. Ismar Littmann, Breslau (in den 1920er Jahren erworben, bis 23. September 1934).<br>Aus dem Nachlass von Dr. Ismar Littmann, Breslau (am 23. September 1934 durch Erbschaft von Dr. Ismar Littmann, bis 26.\/27. Februar 1935: Auktion Max Perl, Berlin).<br>Sammlung Ida Bienert, Dresden (wohl seit 1935).<br>Sammlung Friedrich Bienert, Berlin (von Vorgenannter, bis 1962: Auktion Stuttgarter Kunstkabinett).<br>Sammlung Leo Brand, Neuss (seit 1962: Auktion Stuttgarter Kunstkabinett).<br>Seither in Familienbesitz.<br>G\u00fctliche Einigung mit den Erben nach Dr. Ismar Littmann, Breslau (2023).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Das Werk ist frei von Restitutionsanspr\u00fcchen. Das Angebot erfolgt in freundlichem Einvernehmen und bester \u00dcbereinstimmung mit den Erben nach Dr. Ismar Littmann.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUSSTELLUNG: Kunstausstellung Alfred Heller, Berlin (verso mit dem Etikett, wohl Mai 1923).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LITERATUR: Martin Urban, Werkverzeichnis der Gem\u00e4lde, Band 2, 1915-1951, M\u00fcnchen 1990, WVZ-Nr. 718, S. 103<br>Stuttgarter Kunstkabinett Roman Norbert Ketterer, 37. Kunst-Auktion (Teil 1), 3.5.-4.5.1962, Lot 335 mit Abb.<br>Max Perl, B\u00fccher des 15.-20. Jahrhundert (.), Gem\u00e4lde, Aquarelle, Handzeichnungen, Graphik, Kunstgewerbe, Plastik, Versteigerung am 26.-28. Februar 1935 (Katalog-Nr. 188), Los 2557.<br>Ferdinand M\u00f6ller an Antonie Kirchhoff, Typoskript, 7.2.1935 (Nachlass Ferdinand M\u00f6ller, Berlinische Galerie, BG-GFM-C,II 1,485).<br>Helcia T\u00e4ubler an Hans Littmann, Typoskript, 16.1.1935 (Getty Research Institute &#8211; Special Collections, Wilhelm Arntz papers, box 17, folder 26-28).<br>Bernhard Stephan, Inventar der Sammlung Littmann (&#8222;Gro\u00dfes Buch&#8220;): &#8222;Palmen&nbsp;(S\u00fcdsee)&#8220;, Inv.-Nr. 243.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a9 Nolde Stiftung Seeb\u00fcll Palmen. 1915.\u00d6l auf Leinwand.&nbsp;Links unten signiert. Auf dem Keilrahmen signiert und betitelt. 74 x 88 cm (29,1 x 34,6 in).&nbsp; Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New York, f\u00fcr die freundliche Unterst\u00fctzung und gute Zusammenarbeit. PROVENIENZ: Sammlung Dr. Ismar Littmann, Breslau [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4206,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fallbeispiele"],"uagb_featured_image_src":{"full":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1.jpg",860,672,false],"thumbnail":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1-150x150.jpg",150,150,true],"medium":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1-300x234.jpg",300,234,true],"medium_large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1-768x600.jpg",768,600,true],"large":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1.jpg",860,672,false],"1536x1536":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1.jpg",860,672,false],"2048x2048":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1.jpg",860,672,false],"trp-custom-language-flag":["https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/Emil-Nolde-Palmen-1915-1.jpg",15,12,false]},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/munich-art-research.de\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"\u00a9 Nolde Stiftung Seeb\u00fcll Palmen. 1915.\u00d6l auf Leinwand.&nbsp;Links unten signiert. Auf dem Keilrahmen signiert und betitelt. 74 x 88 cm (29,1 x 34,6 in).&nbsp; Wir danken Dor Levi, Ramat Gan, John F. Littman, Houston, Cornelia Muggenthaler, M\u00fcnchen, und Anna Rubin, New York, f\u00fcr die freundliche Unterst\u00fctzung und gute Zusammenarbeit. PROVENIENZ: Sammlung Dr. Ismar Littmann, Breslau&hellip;","_links":{"self":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/comments?post=4120"}],"version-history":[{"count":12,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4120\/revisions"}],"predecessor-version":[{"id":5384,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/posts\/4120\/revisions\/5384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media\/4206"}],"wp:attachment":[{"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/media?parent=4120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/categories?post=4120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/munich-art-research.de\/en\/wp-json\/wp\/v2\/tags?post=4120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}