![\"vortrag](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/vortrag-icon-1.png\" "\\"Agnes"){kind=icon}
<\/a><\/div>Agnes Thum \u00fcber Provenienzforschung und Echtheitspr\u00fcfung<\/a><\/li>\n![\"sz](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/06\/sz-der-kandinsky-der-ein-Muenter-war-1.jpg\" "\\"S\u00fcddeutsche")
<\/a><\/div>S\u00fcddeutsche Zeitung: The Kandinsky Who Was a M\u00fcnter<\/a><\/li>\n![\"woher](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/woher-kommt-die-kunst.jpg\" "\\"Podcast:")
<\/a><\/div>Podcast: \u201cWhere Does Art Come From?\u201d Agnes Thum and Tanja Beuthien<\/a><\/li>\n![\"hans](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/05\/hans-thomas-meermann.jpg\" "\\"Festvortrag:")
<\/a><\/div>Sabine Disterheft on Hans Thoma's \u201eMeermann\u201c<\/a><\/li>\n![\"lehrveranstaltung](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/lehrveranstaltung-pf.jpg\" "\\"Lehrveranstaltung:")
<\/a><\/div>Agnes Thum on \u201eMuss der Kunsthandel Provenienzforschung betreiben?\u201c<\/a><\/li>\n![\"publikation](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/03\/publikation-icon-1.png\" "\\"Stephan"){kind=icon}
<\/a><\/div>Stephan Klingen on \u201eDie M\u00fcnchner Kunsthandlung A.S. Drey und ihr internationales Netzwerk\u201c<\/a><\/li>\n<\/a><\/div>Sabine Disterheft on Schmidt-Rottluff's \u201eJunger Wald und Sonne\u201c<\/a><\/li>\n<\/a><\/div>Carolin Faude-Nagel on Walther Rathenau collection<\/a><\/li>\n<\/a><\/div>Katharina Thurmair on networks in Florence in the 1940ies<\/a><\/li>\n<\/a><\/div>Agnes Thum on Munch in the Max Glaeser collection<\/a><\/li>\n<\/a><\/div>Carolin Faude-Nagel on provenance research and AI<\/a><\/li>\n![\"aktuelle](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/05\/aktuelle-projekte-stephan-klingen-1.png\" "\\"Stephan")
<\/a><\/div>Stephan Klingen is conducting research on the L\u00e4mmle family from 2020 to 2025<\/a><\/li>\n<\/a><\/div>Agnes Thum on \u201eCorinths Stillleben aus der Sammlung Mainzer\u201c<\/a><\/li>\n![\"sammler](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/05\/Sammler-Journal.jpg\" "\\"Carolin")
<\/a><\/div>Carolin Faude-Nagel in interview<\/a><\/li>\n![\"das](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/05\/das-kapital-beitraege.jpg\" "\\"Stephan")
<\/a><\/div>Stephan Klingen on the first edition of Karl Marx\u2019s \"Capital\"<\/a><\/li>\n![\"max](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Max_Liebermann.png\" "\\"Agnes")
<\/a><\/div>Agnes Thum on Provenance Research on Works by Max Liebermann<\/a><\/li>\n![\"tv](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/tv-sendung-icon.png\" "\\"Carolin"){kind=icon}
<\/a><\/div>Carolin Faude-Nagel on Art Forgeries and Provenance Research<\/a><\/li>\n<\/a><\/div>Agnes Thum on Liebermann in Provenance Research<\/a><\/li>\n<\/a><\/div>Carolin Faude-Nagel on Julie Wolfthorn<\/a><\/li>\n![\"projekt](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/projekt-icon.png\" "\\"Stephan"){kind=icon}
<\/a><\/div>Stephan Klingen is conducting research on the Heller, Jochsberger, and Bechh\u00f6fer families in 2020\u20132021<\/a><\/li>\n<\/a><\/div>Stephan Klingen is conducting research on the \u201cSchloss Collection\u201d in 2020\u20132021<\/a><\/li>\n<\/a><\/div>Carolin Faude-Nagel on Fritz Erler<\/a><\/li>\n<\/a><\/div>Stephan Klingen is conducting research on the documentation of translocations in 2018\u20132019<\/a><\/li>\n<\/a><\/div>Stephan Klingen is conducting research on the \u201cF\u00fchrerbau theft\u201d from 2014 to 2018<\/a><\/li>\n<\/a><\/div>Stephan Klingen is conducting research on Baldur and Henriette von Schirach (2018)<\/a><\/li>\n<\/a><\/div>Stephan Klingen's Research on August Liebmann Mayer, 2016\u00a0<\/a><\/li>\n<\/a><\/div>Stephan Klingen is conducting research on Adolf Weinm\u00fcller<\/a><\/li>\n<\/a><\/div>Stephan Klingen is conducting research on the \u201cSchrey Collection\u201d<\/a><\/li>\n![\"kunstfaelschung](\"https:\/\/munich-art-research.de\/wp-content\/uploads\/2026\/04\/Kunstfaelschung_Provenienzforschung.jpg\" "\\"Carolin")
<\/a><\/div>Carolin Faude-Nagel on Art Forgery and Provenance Research<\/a><\/li>\n<\/a><\/div>Stephan Klingen conducted research on Rudolf von Alt from 2011 to 2013<\/a><\/li>\n<\/a><\/div>Stephan Klingen as co-editor of \u201cArt Historians in War\u201d<\/a><\/li>\n<\/a><\/div>Stephan Klingen on the \u201cGreat German Art Exhibition\u201d of 1938<\/a><\/li>\n<\/a><\/div>Stephan Klingen is conducting research on the Great German Art Exhibition of 2009\u20132011<\/a><\/li>\n<\/a><\/div>Stephan Klingen conducted research on the Heinemann Gallery in 2009\u20132010<\/a><\/li>\n<\/a><\/div>Stephan Klingen als Mitherausgeber von „F\u00fchrerauftrag Monumentalmalerei“<\/a><\/li>\n<\/a><\/div>Publication: Stephan Klingen as co-editor of \u201cF\u00fchrerauftrag Monumentalmalerei\u201d<\/a><\/li>\n<\/ul>\n\n\n<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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